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The Castle' is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia. The result of numerous preparatory visits, often revealing changing immigration policy, Mosse has filmed each site from high elevation to reveal camps that are frequently closed, off limits, or restricted to photographers. By attaching a thermographic video camera designed for long range border enforcement and insurgent detection to a robotic motion control arm, Mosse has gathered the source footage used to composite the resulting heat maps. These durational photographs are thermal panoramas made up of hundreds or sometimes thousands of overlapping cells or individual frames, a truncated spatio-temporal form that speaks to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo.

Refugee camps --- Refugees --- Infrared photography --- fotografie --- documentaire fotografie --- eenentwintigste eeuw --- vluchtelingen --- migratie --- infraroodfotografie --- Mosse Richard --- 77.071 MOSSE --- Photography, Infra-red --- Photography, Infrared --- Infrared technology --- Photography --- Displaced persons --- Persons --- Aliens --- Deportees --- Exiles --- Camps, Refugee --- Displaced persons camps --- Housing --- Mosse, Richard --- photography [process] --- refugees --- asielzoekers --- documentary photography

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In the late eighteenth century a catastrophic typhoon swept over Pingelap, a tiny atoll in the Pacific Ocean. One of the survivors, the king, carried the rare achromatopsia-gen that causes complete colorblindness. The king went on to have many children and as time passed by, the hereditary condition affected the isolated community and the islanders started seeing the world in black and white. Portraying the islanders (that by their fellow Micronesians are referred to as "blind") and their island resulted in a conceptual selection of images that mask or emphasize the eyes, face, or their "vision" and invite the viewer to enter a dreamful world of colorful possibilities. "The Island of the Colorblind" consists of "normal" digital images converted to black and white with Photoshop (shot with Nikon D810) and infrared images (shot with Nikon D700, to IR converted body) shot in Pohnpei & Pingelap in november 2015. The third series within the project are the achromatic picture-paintings.

De Wilde, Sanne --- Wilde, De, Sanne --- photography [process] --- fotografie --- fotoboeken --- eilanden --- Micronesia [region] --- Kleurenblindheid --- Infraroodfotografie --- Zwart-witfotografie --- Pingelap (Micronesian people) --- Black-and-white photography --- Color blindness --- 77.092.07 --- Fotografen ; 21ste eeuw ; Sanne De Wilde --- De Wilde, Sanne °1987 (°Antwerpen, België) --- Fotografie ; Stille Oceaan ; eiland(en) van de kleurenblinden --- Fotografie ; van vrouwelijke fotografen ; 21ste eeuw --- Belgische kunstenaars --- Ethnology --- Micronesians --- Achromatism (Disease) --- Achromatopia --- Achromatopsia --- Color vision defects --- Color vision disorders --- Monochromatism --- Vision disorders --- Photography --- Fotografen A - Z --- Wilde, Sanne de, --- De Wilde, Sanne, --- Pohnpei Island (Micronesia) --- Ascension Island (Micronesia) --- Insel Ponape (Micronesia) --- Ponape Island (Micronesia) --- Ponape-tō (Micronesia) --- Ponapei Island (Micronesia) --- Senyavin Islands (Micronesia) --- Physiology of nerves and sense organs --- Infrarood --- Fotografie